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	<title>Comments for How To Make A Video | Indie Filmmaking</title>
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	<link>http://www.indie-film-making.com</link>
	<description>The Comprehensive Guide On How To Make A Video For Indie Filmmaking</description>
	<lastBuildDate>Tue, 16 Aug 2011 14:15:43 +0000</lastBuildDate>
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		<title>Comment on Cameras For Filmmaking by indie</title>
		<link>http://www.indie-film-making.com/cameras-for-filmmaking/comment-page-1/#comment-4315</link>
		<dc:creator>indie</dc:creator>
		<pubDate>Tue, 16 Aug 2011 14:15:43 +0000</pubDate>
		<guid isPermaLink="false">http://www.indie-film-making.com/?p=18#comment-4315</guid>
		<description>kris - Very true, and I appreciate the comment. Thanks!

Iqra - In many cases, a decent DSLR is going to provide even better results than a comparably-priced camcorder. Think of it this way: if you were to take a still frame from a video you recorded on your average consumer-grade camcorder and compare that to a photograph you took on a digital SLR, which one do you think would look better? Probably the photo from the SLR, right? Well, the quality of the lens and the ability of that camera to capture a high-quality still image is replicated over and over while it captures video. Think of each frame of a video captured this way as being comparable in quality to a still photograph. Then add the ability of most SLR cameras to do manual focus, white balance, aperture and ISO settings, and you have not only a much more easily customizable setup, but also the potential for much better imagery as a result.</description>
		<content:encoded><![CDATA[<p>kris &#8211; Very true, and I appreciate the comment. Thanks!</p>
<p>Iqra &#8211; In many cases, a decent DSLR is going to provide even better results than a comparably-priced camcorder. Think of it this way: if you were to take a still frame from a video you recorded on your average consumer-grade camcorder and compare that to a photograph you took on a digital SLR, which one do you think would look better? Probably the photo from the SLR, right? Well, the quality of the lens and the ability of that camera to capture a high-quality still image is replicated over and over while it captures video. Think of each frame of a video captured this way as being comparable in quality to a still photograph. Then add the ability of most SLR cameras to do manual focus, white balance, aperture and ISO settings, and you have not only a much more easily customizable setup, but also the potential for much better imagery as a result.</p>
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		<title>Comment on Depth of Field by indie</title>
		<link>http://www.indie-film-making.com/depth-of-field/comment-page-1/#comment-4301</link>
		<dc:creator>indie</dc:creator>
		<pubDate>Mon, 15 Aug 2011 13:27:39 +0000</pubDate>
		<guid isPermaLink="false">http://www.indie-film-making.com/?p=24#comment-4301</guid>
		<description>Eric - thanks for your comment, first of all. I understand your point, but since the majority of the articles on this site are meant for an audience who does not own high-end equipment, I try to focus on ways to achieve results with the types of cameras the average budget filmmaker has available to them. True, if you own a high-end camera that has manual ISO, f-stop, etc, you can create the appearance more easily. But for someone using a consumer-grade camcorder from Best Buy, for example, oftentimes literally the only way to get a DoF result that is somewhat film-like is to dolly back and go telephoto. Remember, this site leans sharply toward film making on a budget, so it would be presumptuous to assume that my readers have lens adapters or cameras with manual aperture settings.</description>
		<content:encoded><![CDATA[<p>Eric &#8211; thanks for your comment, first of all. I understand your point, but since the majority of the articles on this site are meant for an audience who does not own high-end equipment, I try to focus on ways to achieve results with the types of cameras the average budget filmmaker has available to them. True, if you own a high-end camera that has manual ISO, f-stop, etc, you can create the appearance more easily. But for someone using a consumer-grade camcorder from Best Buy, for example, oftentimes literally the only way to get a DoF result that is somewhat film-like is to dolly back and go telephoto. Remember, this site leans sharply toward film making on a budget, so it would be presumptuous to assume that my readers have lens adapters or cameras with manual aperture settings.</p>
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		<title>Comment on Recording Dialogue by indie</title>
		<link>http://www.indie-film-making.com/recording-dialogue/comment-page-1/#comment-4300</link>
		<dc:creator>indie</dc:creator>
		<pubDate>Mon, 15 Aug 2011 13:07:33 +0000</pubDate>
		<guid isPermaLink="false">http://www.indie-film-making.com/?p=26#comment-4300</guid>
		<description>Robert - your audio cables are the first thing to change out. Whenever you&#039;re getting a bad signal consistently, you need to replace or swap out one piece at a time until you isolate the problem. Cables/cords are probably the most common cause of buzzing and noise interference, so trying different cables (one at a time) and then a different mic, if you have one, should get you closer to finding the problem component.</description>
		<content:encoded><![CDATA[<p>Robert &#8211; your audio cables are the first thing to change out. Whenever you&#8217;re getting a bad signal consistently, you need to replace or swap out one piece at a time until you isolate the problem. Cables/cords are probably the most common cause of buzzing and noise interference, so trying different cables (one at a time) and then a different mic, if you have one, should get you closer to finding the problem component.</p>
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		<title>Comment on Depth of Field by Eric Barker</title>
		<link>http://www.indie-film-making.com/depth-of-field/comment-page-1/#comment-4277</link>
		<dc:creator>Eric Barker</dc:creator>
		<pubDate>Fri, 12 Aug 2011 20:55:48 +0000</pubDate>
		<guid isPermaLink="false">http://www.indie-film-making.com/?p=24#comment-4277</guid>
		<description>Technically, the notion that backing away from a subject to create higher depth of field IS FALSE. Changing focal length does nothing to effect the actual depth of field. DoF can only be achieved by:

A) increasing the distance between subject and background
B) Widening the aperature (shooting at lower light levels and choosing a a larger f-stop)
C) Increasing the CCD/Film size
D) special lens adaption equipment

This is a common misconception, almost a &quot;rule of thumb&quot;. However, it is not completely without reason. The further away the camera is, the larger the background will appear compared to the forground subject. This means that a small blurry object in the background now becomes a big blurry object when zoomed in. The object becomes more visible, and the actual blur length becomes bigger (since the object itself is bigger), and we perceive it as being softer. But, if you were to then crop out the object and compare it between two shots: one close, and one telephoto, the blur would be identical.

A few years back, when I first heard this &quot;rule of thumb&quot;, I becames suspicious did some basic tests. But I only recently stumbled accross a blow-by-blow article with examples (this is a good read, very well done):

http://www.film-and-video.com/dofmyth.htm

Now, in some ways, this is splitting hairs, because the end result of backing up will be the perception of softness, and for most of us, that&#039;s reason enough to do it. BUT it&#039;s NOT &quot;depth of field&quot; and it doesn&#039;t achieve the same type of separation you would find with a higher DoF.

Also, keep in mind that shooting telephoto means unnaturally flattening the image. Shapes tend to loose their depth, and distances between objects appear to be shortened. This is not to say, &quot;don&#039;t zoom in&quot;, but if you want the forms along your z-axis to stand out, you&#039;d probably want to avoid using super telephoto shooting, and simply move closer.</description>
		<content:encoded><![CDATA[<p>Technically, the notion that backing away from a subject to create higher depth of field IS FALSE. Changing focal length does nothing to effect the actual depth of field. DoF can only be achieved by:</p>
<p>A) increasing the distance between subject and background<br />
B) Widening the aperature (shooting at lower light levels and choosing a a larger f-stop)<br />
C) Increasing the CCD/Film size<br />
D) special lens adaption equipment</p>
<p>This is a common misconception, almost a &#8220;rule of thumb&#8221;. However, it is not completely without reason. The further away the camera is, the larger the background will appear compared to the forground subject. This means that a small blurry object in the background now becomes a big blurry object when zoomed in. The object becomes more visible, and the actual blur length becomes bigger (since the object itself is bigger), and we perceive it as being softer. But, if you were to then crop out the object and compare it between two shots: one close, and one telephoto, the blur would be identical.</p>
<p>A few years back, when I first heard this &#8220;rule of thumb&#8221;, I becames suspicious did some basic tests. But I only recently stumbled accross a blow-by-blow article with examples (this is a good read, very well done):</p>
<p><a href="http://www.film-and-video.com/dofmyth.htm" rel="nofollow">http://www.film-and-video.com/dofmyth.htm</a></p>
<p>Now, in some ways, this is splitting hairs, because the end result of backing up will be the perception of softness, and for most of us, that&#8217;s reason enough to do it. BUT it&#8217;s NOT &#8220;depth of field&#8221; and it doesn&#8217;t achieve the same type of separation you would find with a higher DoF.</p>
<p>Also, keep in mind that shooting telephoto means unnaturally flattening the image. Shapes tend to loose their depth, and distances between objects appear to be shortened. This is not to say, &#8220;don&#8217;t zoom in&#8221;, but if you want the forms along your z-axis to stand out, you&#8217;d probably want to avoid using super telephoto shooting, and simply move closer.</p>
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		<title>Comment on Cameras For Filmmaking by Iqra</title>
		<link>http://www.indie-film-making.com/cameras-for-filmmaking/comment-page-1/#comment-4130</link>
		<dc:creator>Iqra</dc:creator>
		<pubDate>Sat, 30 Jul 2011 11:02:15 +0000</pubDate>
		<guid isPermaLink="false">http://www.indie-film-making.com/?p=18#comment-4130</guid>
		<description>hi, this might come as a completely stupid question..But you mentioned in the final tip that having a DSLR camera is a cheaper substitute of buying the high end camcorders..But could you explain the difference between the two in terms of the result?</description>
		<content:encoded><![CDATA[<p>hi, this might come as a completely stupid question..But you mentioned in the final tip that having a DSLR camera is a cheaper substitute of buying the high end camcorders..But could you explain the difference between the two in terms of the result?</p>
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		<title>Comment on Video Vs. Film &#8211; The Differences by Ms Carmichael</title>
		<link>http://www.indie-film-making.com/video-vs-film-the-differences/comment-page-1/#comment-3958</link>
		<dc:creator>Ms Carmichael</dc:creator>
		<pubDate>Thu, 21 Jul 2011 09:18:03 +0000</pubDate>
		<guid isPermaLink="false">http://www.indie-film-making.com/?p=28#comment-3958</guid>
		<description>Thanks, I learned so much! I was originally trying to clarify the use of the term &#039;timestamp&#039; in an on line post about a television episode I was viewing using Media Player Home Classic Cinema. I realized that I didn&#039;t know the difference between video and film. Once I read this page I learned what pixel stood for (never knowing it was an abbreviation,) the definitions of interpolation, pixelation and finally what the hell high definition really means. At 50 yrs of age, I&#039;m old enough to remember rewinding film in a camera. Thanks again
Ref:
http://www.indie-film-making.com/video-vs-film-the-differences/</description>
		<content:encoded><![CDATA[<p>Thanks, I learned so much! I was originally trying to clarify the use of the term &#8216;timestamp&#8217; in an on line post about a television episode I was viewing using Media Player Home Classic Cinema. I realized that I didn&#8217;t know the difference between video and film. Once I read this page I learned what pixel stood for (never knowing it was an abbreviation,) the definitions of interpolation, pixelation and finally what the hell high definition really means. At 50 yrs of age, I&#8217;m old enough to remember rewinding film in a camera. Thanks again<br />
Ref:<br />
<a href="http://www.indie-film-making.com/video-vs-film-the-differences/" rel="nofollow">http://www.indie-film-making.com/video-vs-film-the-differences/</a></p>
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		<title>Comment on Overdubbing &#8211; Recording Voice-overs by warren harley</title>
		<link>http://www.indie-film-making.com/overdubbing-recording-voice-overs/comment-page-1/#comment-3954</link>
		<dc:creator>warren harley</dc:creator>
		<pubDate>Wed, 20 Jul 2011 22:30:20 +0000</pubDate>
		<guid isPermaLink="false">http://www.indie-film-making.com/?p=153#comment-3954</guid>
		<description>one evening on your site and I&#039;ve learned more than in a year at filmschool - respect!</description>
		<content:encoded><![CDATA[<p>one evening on your site and I&#8217;ve learned more than in a year at filmschool &#8211; respect!</p>
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		<title>Comment on In-Camera Editing by 6 Camera Editing Sites&#160;&#124;&#160;Digital Cameras Online</title>
		<link>http://www.indie-film-making.com/in-camera-editing/comment-page-1/#comment-3884</link>
		<dc:creator>6 Camera Editing Sites&#160;&#124;&#160;Digital Cameras Online</dc:creator>
		<pubDate>Sun, 10 Jul 2011 06:07:31 +0000</pubDate>
		<guid isPermaLink="false">http://www.indie-film-making.com/?p=57#comment-3884</guid>
		<description>[...] In-Camera Editing &#124; How To Make A Video &#124; Indie FilmmakingNov 25, 2010 In-camera editing is a method used to shoot sequences that requires the least amount of money, [...]</description>
		<content:encoded><![CDATA[<p>[...] In-Camera Editing | How To Make A Video | Indie FilmmakingNov 25, 2010 In-camera editing is a method used to shoot sequences that requires the least amount of money, [...]</p>
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		<title>Comment on Making Your Video Look Like Film by Stigs</title>
		<link>http://www.indie-film-making.com/making-video-look-like-film/comment-page-1/#comment-3766</link>
		<dc:creator>Stigs</dc:creator>
		<pubDate>Mon, 27 Jun 2011 02:26:46 +0000</pubDate>
		<guid isPermaLink="false">http://www.indie-film-making.com/?p=61#comment-3766</guid>
		<description>Awesome job man, really insightful and easy to transpose into filmmaking if you have a basic understanding of how a camera works and some lighting techniques. Really enjoyed!</description>
		<content:encoded><![CDATA[<p>Awesome job man, really insightful and easy to transpose into filmmaking if you have a basic understanding of how a camera works and some lighting techniques. Really enjoyed!</p>
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		<title>Comment on How To Make A Video by Kenshaw10ne</title>
		<link>http://www.indie-film-making.com/comment-page-1/#comment-3576</link>
		<dc:creator>Kenshaw10ne</dc:creator>
		<pubDate>Fri, 03 Jun 2011 16:31:02 +0000</pubDate>
		<guid isPermaLink="false">http://www.indie-film-making.com/?page_id=59#comment-3576</guid>
		<description>I&#039;ve started out on my life long mission to become a Film Director. I&#039;m so glad that I came across this informative site. 
Thanks.</description>
		<content:encoded><![CDATA[<p>I&#8217;ve started out on my life long mission to become a Film Director. I&#8217;m so glad that I came across this informative site.<br />
Thanks.</p>
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